Author: Eternity Lab

Fan anticipation has been high for Michael, the Michael Jackson biopic, ever since it was announced, and if there were any doubters, they were all silenced by the film’s record-setting opening weekend. It’s true that musical biopics have been popular for the past several years, but Michael danced circles around all of them with a $97 million debut, besting previous record-holder Straight Outta Compton, which opened at $60 million.

While critics acknowledged star Jaafar Jackson’s talents in bringing the King of Pop to life, they weren’t so impressed with Antoine Fuqua’s film overall. But it was an entirely different story with audiences, who propelled Michael’s Popcornmeter to a Verified Hot 97%, echoing the critics’ sentiments about Jaafar Jackson’s performance and calling the film the closest thing to a Michael Jackson concert that anyone could ask for.

Here’s what the fans have been saying in the Verified Audience Reviews for Michael.

These reviews have been edited for clarity.

“This movie was pure good old fashioned entertainment! Fantastic history of the great Michael Jackson on full display with great actors to play the parts! Both young and old Michaels were fantastic!!! I’m a big MJ fan but I dragged my husband along and he was so surprised because he loved it too and even shed a tear or two!!”
— Anne, 5 Stars

“Jaafar Jackson’s performance as Michael Jackson is phenomenal, capturing the voice and stage presence we all know and love. Colman Domingo also gives an Oscar-worthy performance as Joe Jackson. The entire supporting cast did a phenomenal job, with Nia Long as Katherine Jackson serving as a great addition to the film. The film’s cinematography and soundtrack are outstanding! This is a must-watch for all MJ fans! Will definitely be rewatching it again soon!”
— Daniel, 5 Stars

“Beautiful, amazing, and spectacular! This is the closest I will get to a concert.”
— Alyssa, 5 Stars

“Yes this is a very Cliffs Notes version of events, but the cast, the staging, the directing makes for such an awesome visual experience. The recreations of the Victory Tour, BAD and Pepsi commercial alone were awe inspiring and Jaafar might be the first time someone is playing Michael that doesn’t come across as an imitation. A must see for fans, I understand the critics takes on it and they aren’t wrong per se but I just left feeling like I immediately wanted to watch it again.”
— Jeffrey J, 4 Stars

“Michael Jackson is my favorite artist. And seeing his story come to life in a film was such an experience. So many emotional scenes and so much joy that came from his life and performances. This movie was a 10/10!”
— Elizabeth, 5 Stars

“Absolutely loved it. Cried a lot… Juliano Krue Valdi who played Michael as a child was compelling and delivered a great performance… Michael, portrayed by Jaafar Jackson, was outstanding. His voice resembled Michael’s, and his dance performance was incredibly authentic. Nia Long conveyed her role as a mother with care and respect. Colman Domingo (Joseph) was portrayed convincingly… Overall, very good movie. Looking forward to Part II asap.”
— Hiwot T, 5 Stars

“This movie was more like a concert!!! Jaafar really embodied his uncle and it was an absolute MASTERPIECE!!!! I left with my jaw dropping because I have no words to express how much fun and joy this movie brought to me.”
— Brand, 5 Stars

“It’s nearly impossible to dive deep into the complexity of the man Michael was in just two hours without leaving out his greatest hits—that would make the movie three or four hours long. However, it touches on the essentials. I laughed, I cried, I got goosebumps, and I left wanting more.”
— Antonio M, 4 Stars

(Photo by Bruce Talamon/©Lionsgate)

“Michael is a 5 Star, 10/10 MASTERPIECE!!Jaafar Jackson delivered a genius level transformative performance of a lifetime as Michael Jackson (Oscar worthy)… Needless to say, Colman Domingo gave me chills as Joe Jackson. Juliano Valdi as little Michael had me at “hello” and… Nia Long warms the screen with a perfect grace and strength… I promise you it’s not hype. It’s healing.”
— Cassandra, 5 Stars

“For me, it’s a great movie. It shows Michael’s humanity and what a wonderful person he was, someone who cared about others. I’m not interested in the legal aspects; I just want to enjoy what he did with his music, which is what I love. Without a doubt, he’s the best pop artist of all time.”
— Jorge Y, 5 Stars

“It doesn’t portray him as a saint: flaws are shown and contextualized, simplifying without distorting… The main issue is the absence of the artistic genius. The creative process is barely explored… Narratively, the focus on the father-son relationship is excessive, while key periods are rushed or skipped… The performances are strong: both young Michael (Juliano Valdi) and adult Michael (Jaafar Jackson) are convincing, especially on stage. Overall, it’s effective and emotionally engaging, but clearly incomplete.“
— Gabriele P, 4 Stars

“Great entertainment. It’s okay to leave a movie feeling good just for the pure entertainment of it. Jaafar WAS Michael. Colman Domingo WAS Joe Jackson. John Branca wishes he looked as good as Miles Teller.”
— Deborah, 5 Stars

“It’s incredible, Jaafar doesn’t just embody MJ he becomes him… The dancing, the mannerisms, the voice (is spot on) and the finger snapping. Colman Domingo as Joe Jackson was intense and complex… Nia Long is very warm and gentle throughout… If I were to give any critiques it would be the pacing of the story; I feel it skipped over important moments that needed more depth… You must see this in IMAX.”
— Keiron D, 5 Stars

(Photo by ©Lionsgate)

“What a fantastic tribute to Michael Jackson! I just finished watching the early screening at the IMAX theatre, excellent cast and of course excellent movie! The whole theatre was singing along to all of his songs. GO SEE IT!!!”
— Basilio B, 5 Stars

“The music & dance scenes are amazing if you love the music. If you are looking for any juicy details of his life it’s not in this movie. They get in the brutality of Joe Jackson to his son. Most of the storyline is sugar coated. I feel this was made to try to improve his image and renew interest in his music.”
— Lisa, 3 Stars

“This film was nothing short of epic. Jaafar Jackson stepped into impossibly big shoes and delivered… You remembered why the world fell in love with him in the first place. What struck me most was how nostalgic it felt. These are songs I have known my whole life, melodies sewn into my memory, and hearing them in that context brought everything rushing back… I came home ready to revisit every album, every era, every sequined glove. A brilliant film. Go and see it. And don’t be too dignified to dance.”
— R B, 5 Stars

“This will be the cheapest concert you can attend this year. and the movie is really really good too.”
— Mel, 5 Stars

“The Michael Jackson film was a powerful and emotionally engaging experience. Jaafar delivered an impressive performance, truly embodying his uncle’s essence—particularly during the musical sequences, where his presence, movement, and energy felt both authentic and captivating… Coleman Domingo’s portrayal of Joe Jackson was equally compelling… Watching this movie with my family made the experience even more meaningful. It was more than just a film—it became a shared moment filled with laughter, nostalgia, and emotion.“
— Racheal S, 5 Stars

“My entire theater broke out singing and dancing and it was truly the closet thing to a Michael concert other than a Michael concert itself. Jafaar Jackson did such an amazing job portraying his uncle… Juliano Krue Valdi also blew me away… Colman Domingo was menacing as Joe Jackson and you can IMMEDIATELY feel his intensity… Nia long did an amazing job portraying Kathrine as well. Great movie overall and I will be seeing this again tonight”
— DaQuan B, 5 Stars

“I’ve been waiting for this movie to come out since it was announced, and it did not disappoint. The whole cast did a stellar job, and Jaafar absolutely crushed it as Michael… His appearance, voice, mannerisms, and dance moves were all top notch. If you are a fan of MJ, this movie will be both uplifting and also have a few moments that will rip your heart out. My only complaint is that some iconic moments and eras were not shown in the movie.”
— KD, 4.5 Stars

Michael is currently in theaters.

Thumbnail image by ©Lionsgate

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We live in a glorious era when we can relive the experience of seeing our favorite films on the big screen, or catch them in theaters for the first time because we missed them (or, in some cases, weren’t even born) when they originally released. Read on to see what movies are getting the re-release treatment this year, and plan accordingly because these tickets often sell out quickly!

Dates	Movie	Notes
5-8	The Killer	Tickets
17-22	Bridesmaids	15th, Tickets
20	Speed Racer	Tickets
22	Fight Club	25th, Tickets
26 & 29	The Silence of the Lambs	35th, Tickets

Dates	Movie	Notes
13	Top Gun	40th, Tickets
24,27	Legally Blonde	25th, Tickets

Dates	Movie	Notes
25	Avengers: Endgame

Dates	Movie	Notes
5	V for Vendetta	20th
22	A Beautiful Mind	25th

Dates	Movie	Notes
19	Star Wars: Episode IV – A New Hope	50th

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In 2000, audiences were introduced to Scary Movie (created by Marlon, Shawn, and Keenen Ivory Wayans), a chaotic, razor‑sharp parody that skewered every major horror hit of its time. What followed was an iconic comedy franchise that, despite its often Rotten critical scores, became an instant fan favorite and cemented itself as a cultural touchstone. Now, after more than a decade away from the big screen, the franchise is officially gearing up for its long‑awaited sixth installment.

Known for its outrageous humor and fearless send‑ups of classic horror films, Scary Movie has remained a staple of the genre, standing the test of time thanks to its quotable moments, beloved characters, and unapologetically silly tone. The franchise has also proven to be a box‑office powerhouse, earning nearly $900 million worldwide, with the first film alone grossing over $270 million globally.

So when the all‑new trailer for Scary Movie dropped, fans were ecstatic to see the franchise return to their screens, complete with familiar faces, fresh parodies, and the promise of a summer theatrical release.

Read on to find out everything we know about the upcoming sixth film.

Recommended: The Scary Movie Franchise Ranked
Recommended: Most Anticipated Movies of 2026

Who’s behind the newest installment?

(Photo by Alberto E. Rodriguez/Getty Images)

Scary Movie is directed by Michael Tiddes, a filmmaker well‑versed in parody thanks to his work on A Haunted House, A Haunted House 2, Fifty Shades of Black, and the Wayans‑led Netflix comedies Naked and Sextuplets. Tiddes has been a longtime collaborator of the Wayans family, beginning his career as an assistant on White Chicks before moving into directing.

The film is expected to be rated R. Behind the scenes, the creative team is stacked with past collaborators. Rick Alvarez (White Chicks, A Haunted House) joins the Wayans brothers to co‑write and produce. Additional producers and executive producers include Jonathan Glickman (Rush Hour, Wednesday), Alexandra Loewy (The Substance, The Meg), Thom Zadra (The Beekeeper, The Holdovers), and Neal H. Moritz (The Fast and the Furious).

Who’s In It?

(Photo by ©2026 Paramount Pictures)

In a move that thrilled longtime fans, Scary Movie will reunite several original cast members from the early films. Returning stars include Regina Hall as Brenda Meeks, Anna Faris as Cindy Campbell, Marlon Wayans as Shorty Meeks, Shawn Wayans as Ray Wilkins, and Dave Sheridan as Doofy. Faris and Hall, who anchored the first four films, are making a highly anticipated comeback, marking their first return to the franchise in 20 years. They’ll be joined by fellow Scary Movie alumni Lochlyn Monroe and Jon Abrahams, as well as Cheri Oteri (from the original film) and Chris Elliott, who appeared in Scary Movie 2 and Scary Movie 4.

New cast members joining the chaos include Damon Wayans Jr., Kim Wayans, and SNL alum Heidi Gardner. With only one trailer released so far, details about their characters remain under wraps, but anticipation is already high.

What’s It About?

(Photo by ©2026 Paramount Pictures)

Plot details for Scary Movie are still being kept secret, but the trailer, and comments from Marlon Wayans, offer a few clues. As expected, the film will deliver a fresh wave of parodies referencing both classic and modern horror hits.

Wayans has teased that I Know What You Did Last Summer and the Scream franchise may play a role, while the trailer itself hints at spoofs of films like Longlegs, Get Out, Ma, Sinners, M3GAN, Smile, Weapons, and The Substance. According to Entertainment Weekly, Wayans describes Scary Movie 6 as a “rebooquel” of the franchise, suggesting a fresh start that still embraces the series’ signature absurdity and reunites the original cast and creatives.

Are There Any Trailers?

The first trailer for Scary Movie offers a long‑awaited glimpse of the original cast back in action. It made its surprise debut in theaters, playing ahead of screenings of Scream 7.

When Will It Be Released?

Scary Movie will hit theaters on June 5.

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(Photo by Crunchyroll)

The Trigun series and the current installment, Trigun Stargaze, are among Crunchyroll’s most highly rated and popular anime series, with the latter coming to a conclusion in just a couple of weeks. This season serves as a sequel to Trigun Stampede and picks up two and a half years after a catastrophic event that laid waste to an entire city and threw the planet into chaos. After this time jump, we find Meryl Stryfe now working as a senior journalist, continuing her search for Vash the Stampede alongside her new partner, Milly Thompson. Along the way, the two cross paths with a series favorite, Nicholas D. Wolfwood. As in previous iterations of the story, plant robberies begin, and the looming presence of the Millions Knives organization makes itself felt. Fans of the series will feel right at home with the sharp dialogue and futuristic Western setting.

The Japanese version concluded on March 28th, with the English dub finale premiering on April 11 on Crunchyroll. We recently sat down with the English voice cast to discuss the series’ conclusion and their incredible multi-season journey. We chatted with Johnny Yong Bosch, who plays Vash the Stampede; David Matranga, who plays Nicholas D. Wolfwood; Sarah Roach, who plays Meryl Stryfe; and Alexis Tipton, who voices Milly Thompson. Trigun has built an enormous following among anime fans, whether they came for Vash the Stampede, the legendary gunman known as the Humanoid Typhoon, or for Meryl Stryfe, the tenacious reporter from the Bernardelli News Agency who has been relentlessly chasing the story of Vash’s fight to save the world. Fans are finding this finale to be not only the conclusion they have been waiting for, but a fitting end to a long-running saga.

During our chat, the cast shared some of their favorite lines from the series, reflected on what it’s like working as voice actors, and recognized a Trigun fan when one approached them. They also discussed what it means to balance their performances with the work set by the Japanese voice cast.

Read on for our chat with the English Voice cast of Trigun Stargaze.

(Photo by Crunchyroll)

Jacqueline Coley for Rotten Tomatoes: Trigun is one of the highest-rated shows on Rotten Tomatoes, and it’s still at 100%. This is the first time you’re really getting out and about with it since it came out during COVID. Have you felt the fan reaction?

David Matranga: Yeah, that’s great. I love that. We care about the story, and it’s good to know that, obviously, other people do as well. Whenever I get the pleasure to talk to people about this story, the fans are always really intense about it, and there are really great conversations. I just have to attribute that to what the story is, what it symbolizes and embodies. People are passionate. It’s cool.

Johnny Yong Bosch: It’s pretty awesome. It’s pretty awesome to be part of something that resonates with fans so wonderfully.

RT: What’s been your best fan reaction when people are specifically talking about Trigun?

Sarah Roach: I’ve had multiple Meryls come up to my table, and they’re always so excited, and I’m always so excited to see them. When we’re recording, it’s just us in the booth with the director and the engineer. So it’s great to see, after the fact, how people have responded, how much they love it, how much it means to them. Getting to talk to people at conventions is a really great way to make connections.

RT: Can you tell what someone is recognizing you from when they walk up?

Roach: Cosplay is a pretty easy giveaway. (laughs)

Matranga: Usually, people just blurt out what they’re there for. You never know what it’s going to be, but somehow, there is something about Trigun that people want to talk about rather than just treat it as a trend. They really want to have a chat. And I love that because I love the series.

(Photo by Crunchyroll)

RT: What is it about the futuristic Western feel that’s so appealing, especially in the English dub?

Alexis Tipton: I’m a big fan of anytime someone experiments with what feels like different time periods. That Old West vibe with the futuristic sci-fi – it’s so fun, and in this instance it really, really works. There’s so much in Wild West iconography that you could absolutely turn sci-fi. And then you have the desert planet and No Man’s Land and everything.

Matranga: That mashup is what is so attractive to me about the world. In a Western, the tempo is different much of the time, but then the sci-fi fighting is full-on, big-screen. And then you’ve got ships. I love it.

Roach: The combination of sci-fi and Western is a classic combination, and it works so well. It’s so interesting to have that past-type setting alongside the future-type setting, and to see how they combine and interact.

Bosch: I do hear from fans that they love the space Western thing, but I think that’s what draws so many people to it, you can be a fan of sci-fi, a fan of Westerns, anything in between, and it comes together because of the characters and the story. It’s unique.

RT: The visuals are outstanding. What was a moment where you were flabbergasted when all the pieces came together?

Tipton: We record solo all the time, so I’m just talking to myself, doing the best I can. But it’s really fun to go back and hear how the scene worked between characters, hearing how David’s responding or how Sarah’s responding. Honestly, just going back and watching the entirety of episode 1 of Trigun Stargaze, so much information was injected into that episode, and it had been some time. It was just really cool. Like, “Oh, we are back, baby.”

Matranga: Episode 8 in particular. I did that before many people had recorded. I typically watch the Japanese version before I record, then watch it as I’m recording. And sometimes we do different takes, and I don’t know which one they’re going to use. So when they do the review before it goes to mix, I love to go back and see, “Oh, they went with that read, that take.” Getting to hear episode 8 fully come to life with everybody in there, that was great.

(Photo by Crunchyroll)

RT: What does it feel like knowing this is the wrap-up, and that this may be the first, and maybe last, time all four of you are together in the same place?

Matranga: It just really makes me want to do more. I want more of the show, more of this. We haven’t done something like this for Trigun yet and I’ve known Alexis for years. We’ve done other things, we see each other at conventions. But yeah, it could be. I want more.

RT: You’re still recording the new series. What are you hoping fans are going to get out of this last part?

Bosch: I hope that by the end of it, fans will be satisfied yet still want more, they’ll watch it again, or they’ll bug them to do another season.

RT: How does dubbing over completed animation change how you approach your performance compared to the original animation?

Bosch: It is very different from original animation, where you freely make choices, and they animate them. Here, the choices have been made, it’s laid out for you, but you still have to put your color on it. Sometimes I’ll just “chase” it: I’ll see the scene, see my lines, and once I hit the beeps, I just start acting in the space. I can hear if I’m locked in, or notice something like, “that character is far away, I’ve got to shout this line.” The writers are really good, too. They know the spacing, the timing, the lip flaps, and where to put pauses.

Roach: There’s already animation and the Japanese performances that certainly inform what you’re doing, but you put your own spin on it. It’s a balancing act. And there’s the added challenge of making sure the timing is right while still having all the right feelings. It’s certainly a different animal.

(Photo by Crunchyroll)

RT: Favorite line or most iconic moment from the series?

Bosch: “Love and Peace” was very iconic in Stampede. For Stargaze, we haven’t quite finished yet, but from Stampede — that last episode where Vash is fighting Knives and Knives can’t believe why he cares for them so much. And Vash says, “I won’t stop until they believe in me.”

Roach: Probably the first episode of Stampede, where Meryl has just met Vash, and she’s not sure about him. Then there’s the fight scene where he holds his own, and as they’re walking out, she says, “You sure know how to use a gun.”

Matranga: Anything where I get to say “needle noggin” or call him “Blondie.” Those are fun because there’s so much meaning in them. There’s something so cinematic about Trigun Stargaze and Stampede that it’s hard to even choose one line or one moment. I have moments when I get to do a scene with Johnny, and it’s just this wonderful, nuanced conversation. It feels more like filmic acting. The animation is so beautiful that’s another reason I don’t want it to end.

Tipton: It’s not really a specific line, but anytime there’s worms involved, and Milly is so excited about it, and Meryl is horrified, that’s a running gag. It’s like two kinds of people. Anytime that happens is really funny.

The English dub finale of Trigun Stargaze streams on Crunchyroll on April 11, 2026.

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Your friends, neighbors, and favorite R-rated superheroes are among the popular characters returning in must-see TV shows in April. They’re joined by teens in love, wealthy criminals, and prisoners of a mysterious town, plus a beloved sitcom family from the early 2000s. From East Highland High School to the Vought Cinematic Universe, here are the seven streaming series you should catch up on before they continue this month.

What it is: Anna Cathcart stars as the title character in this teen romance streaming series spun off from the To All the Boys movies. Kitty is an American girl studying abroad at a Korean boarding school that her late mother attended, and the show follows her emotional journey through various crushes and relationships. XO, Kitty: Season 3 premieres in full on Netflix on Thursday, April 2, with eight new episodes.

Why you should watch it: XO, Kitty continues the appeal of Jenny Han’s To All the Boys novels and their adaptations as a sweet romantic YA series for a maturing teenage audience. The show is also culturally inclusive and LGBT friendly. The main reason to watch, though, is for Cathcart’s performance, as the former child actor (known for Odd Squad and Disney’s Descendants movies) proves her growing star power.

Where to watch: Netflix (subscription, seasons 1-2, plus the movies To All the Boys I’ve Loved Before, To All the Boys: P.S. I Still Love You, and To All the Boys: Always and Forever)
Commitment: Approx. 14 hours (for seasons 1-2, plus the three To All the Boys movies)

What it is: This darkly comedic crime drama stars Mad Men’s Jon Hamm as a hedge fund manager who turns to robbing his wealthy neighbors when he loses his job. The series also stars Amanda Peet as his ex-wife, Corben Bernsen as his former boss, and Olivia Munn as his current sometime lover. The second season ofYour Friends & Neighbors premieres on Apple TV on Friday, April 3, and runs weekly through early June.

Why you should watch it: Following in the footsteps of Breaking Bad and Ozark, this would seem to be just another show where a down-on-his-luck husband/father turns to a life of crime to continue providing for his family. However, Your Friends & Neighbors benefits from Jon Hamm’s charisma in another role where he’s otherwise occasionally unlikable, and a sharp script that has fun with schadenfreude aimed at the uber-rich.

Where to watch: Apple TV (subscription, season 1)
Commitment: Approx. 8 hours (for season 1)

What it is: Based on the Wildstorm comic book series of the same name, The Boys follows the titular team of CIA-sponsored vigilantes and their superpowered adversaries in a world where “Supes” aren’t really the heroes they seem to be. Throughout the show’s first four seasons, The Boys have fought to take down The Seven, which consists of some of the most corrupt Supes. The first two episodes of season 5 premiere on Prime Video on Wednesday, April 8.

Why you should watch it: The Boys isn’t for everyone, as it can be crude, graphically violent, and politically divisive, but it’s still consistently among Amazon’s most popular and acclaimed series. Most of the watercooler chatter about the show centers on its most shocking moments. Still, it’s a superhero satire that’s as smart as it is sensational, maintaining very high Tomatometer scores and billions of streaming minutes from fans around the world.

Where to watch: Prime Video (subscription, seasons 1-4, plus the spinoffs Gen V and The Boys Presents: Diabolical); buy the main series and Gen V on Fandango at Home, Google Play, and Apple TV
Commitment:  Approx. 42 hours (for seasons 1-4, plus the two spin-off series)

What it is: Before his iconic turn as Walter White, Bryan Cranston co-starred in this uniquely stylish sitcom as the goofy father of the eponymous teen and four other sons. Frankie Muniz plays Malcolm, a fourth-wall-breaking genius who has trouble fitting in at school and at home. The four-episode revival series Malcolm in the Middle: Life’s Still Unfair, which revisits the character as an adult estranged from his family, premieres in full on Hulu on Friday, April 10.

Why you should watch it: The original run of Malcolm in the Middle was one of the most memorable family sitcoms of the early years of this century. That was thanks to its hilarious ensemble cast, including Cranston, Muniz, and Jane Kaczmarek, a consistent Emmy nominee for Outstanding Lead Actress in a Comedy Series for every one of its seasons. Its fresh writing and directing, unlike anything else on TV at the time, were also deservedly well-honored.

Where to watch: Disney+ and Hulu (subscription, Seasons 1-7)
Commitment: Approx. 57.5 hours (for Seasons 1-7)

What it is: Adapted from an Israeli miniseries, Euphoria is a teen drama for mature audiences, as it famously contains a lot of nudity and heavy storylines concerning sex, drugs, and violence. Zendaya leads the show as Rue, a queer high school student and recovering addict, while Maude Apatow plays her best friend, Lexi. Season 3 premieres on HBO and HBO Max on Sunday, April 12, with new episodes debuting weekly through May.

Why you should watch it: Euphoria has faced controversy for its disturbing content involving teenagers, but it’s also been praised for its realistically darker look at high school life. The series has also been significant for spotlighting the talents of certain Hollywood stars on the rise, including Sydney Sweeney and recent Oscar nominee Jacob Elordi. Of course, Zendaya’s twice-Emmy-winning performance is the driving force of the show.

Where to watch: HBO Max (subscription, seasons 1-2, plus two special episodes); buy on Fandango at Home, Google Play, and Apple TV
Commitment: Approx. 17 hours (for Seasons 1-2, plus the two special episodes)

What it is: Steven Yeun and Ali Wong star in the first season of this anthology series about quarrelling individuals. In those first 10 episodes, two strangers develop an out-of-control feud following a road rage incident. The second season of Beef, which features a fresh storyline involving country club employees and a cast of characters led by Oscar Isaac and Carey Mulligan, premieres in full on Netflix on Thursday, April 16, with eight new episodes.

Why you should watch it: The original series has a near-perfect Tomatometer score, and it dominated awards season after debuting three years ago, winning Emmys, Golden Globes, and Critics Choice Awards for the show and the lead performances by Steven Yeun and Ali Wong. The pair were also honored at the Screen Actors Guild Awards. With an acclaimed new cast also including Cailee Spaeny and Charles Melton, season 2 is sure to be as successful.

Where to watch: Netflix (subscription, season 1)
Commitment: Approx. 5.5 hours (for season 1)

What it is: Lost’s Harold Perrineau stars in this sci-fi horror series with its own mystery box scenario. The show is set in a small town that traps all who enter, with nocturnal creatures terrorizing the residents from the surrounding forest. Oscar-nominated actress Catalina Sandino Moreno and The Stand’s Eion Bailey co-star as a couple with kids who are new to the town as the series begins. Season 4 of From premieres on MGM+ on Sunday, April 19.

Why you should watch it: If you loved Lost and want another curiously enigmatic series starring the guy who played “Michael,” then From will be right up your alley. While not an awards darling, this spooky, mind-bending show has been a hit with critics and popular enough with genre-loving viewers to be renewed year after year. Its third season was its best-reviewed yet, giving hope that it’s getting even better with each return.

Where to watch: MGM+ (subscription, seasons 1-3); buy on Fandango at Home, Google Play, Prime Video, and Apple TV
Commitment: Approx. 25.5 hours (for seasons 1-3)

Thumbnail image by Amazon MGM Studios
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Happy Mario Galaxy weekend to those who celebrate. Granted, many were celebrating Easter and Passover this week, but theaters certainly had something to celebrate as well. This was the fourth-best Easter weekend ever for the top 10 at the box office. In 2016, Batman v Superman led to a haul of over $270 million. The year before, it was Furious 7 helping the top 10 to $240.8 million. Then, just two years ago, The Super Mario Bros. Movie contributed over 73% of the top 10’s $227.3 million. In 2026, the sequel to the latter has helped the chart have its best weekend since last Thanksgiving, with over an estimated $192 million.

King of the Crop: The Super Mario Galaxy Movie Blasts Off to Year’s Biggest Debut

For everyone that needs a reminder just how huge The Super Mario Bros. Movie was in 2023, let’s break it down. Among April releases, there was Avengers: Endgame, Avengers: Infinity War, and The Super Mario Bros. Movie. At the time, it was just the 20th film to gross $200 million in just five days. (Four films have done it since, including Barbie that same summer). Its $575 million made it the 14th-highest grossing domestic release ever (now 17th) and its $1.36 billion gross worldwide is the 20th best all time for a film in its initial run. It goes without saying that a sequel was on the way. And now it’s here.

Three weeks ago, tracking expected The Super Mario Galaxy Movie to make $160 million in its first five days. The estimate through this weekend has the film with $190 million, ranking it 29th all-time for a five-day gross, just ahead of Rogue One with $190.2 million if the estimates hold. It’s Friday-to-Sunday take of $130.9 million is 49th all time. Frozen II would then be 50th with $130.2 million. That’s the same rank for its Fri-Sun take of $175 million, but it’s also the 10th-best five-day opening for a film not released by Disney. Worldwide the film is already at $372 million and should become the first to hit a billion this year. Again, it would be the first non-Disney Hollywood release to reach a billion across the globe since Barbie and The Super Mario Bros. Movie in 2023.

Tales of the top 10: Project Hail Mary Holds in Second, The Drama Opens Strong

Project Hail Mary is going to get passed by Mario, but it has bragging rights on becoming the first film of 2026 to cross the $200 million mark. The original film (based on a book) only lost 43% of its audience for a third weekend of $30.6 million. That brings its total to $217.1 million and the ninth March release ever to cross that goal by its 17th day. Phil Lord and Christopher Miller’s adaptation is now nearly $13 million ahead of the pace of Dune: Part Two, which had a $28.5 million third weekend. That has Hail Mary firmly on pace for at least $290 million. If it maintains a steady pace over the next two weekends, nothing is opening that is likely to grab one of the top two spots from it and Mario. That could help it push its way into $300 million territory. By the time Michael comes out on Apr. 24, Hail Mary should be over $275 million, and this could very well be a top three film until the summer season starts the week after that. Globally the film is over $420 million and will hit a half billion with no fuss.

Kristoffer Borgli’s The Drama may have a solid score of 77% on the Tomatometer, but those who dislike it really dislike it. A24 will surely dine off the higher number, and the film has gotten off to one of thei studio’s best starts with a $14.3 million opening; their second best after Civil War’s $25.5 million and just ahead of Hereditary’s $13.5 million. (Ari Aster is also a producer on the film.) 2024’s Challengers with Zendaya got off to a $15 million start and ended up just shy of $50 million. Last year’s Mickey 17 with Robert Pattinson began with $19 million and finished with just $46 million. Neither of the stars of The Drama apart from their franchise entities of Spider-Man, Batman, and Twilight have had an opening much better than this. After the third Twilight, Pattinson opened Water for Elephants with Reese Witherspoon to $16.8 million. After the second Twilight, Pattinson without Reese in Remember Me opened to just $8 million. Will The Drama be just as divisive with audiences as with certain critics? Likely even more so, but the $28 million production is off to a decent start with $28 million across the globe.

Families have been looked after pretty well the past couple of months, but now most have moved on to Mario. Disney/Pixar’s March release of Hoppers had been the most successful to date, but even with $5.8 million in its fifth weekend, the $149.6 million that it has made has now already been surpassed by the The Super Mario Galaxy Movie. The animated film is the second of the year to gross over $300 million worldwide ($332 million, to be precise). It is making its way towards $170 million domestic but could come up just short. Also affected by the Mario release is Sony’s GOAT, which fell out of the top 10; this would have been its eighth week. It’s the longest-tenured film in the top 10 of 2026 to date, and it has grossed over $102 million domestic but only $82 million internationally, leaving a good chunk of change to still be cleared before the $90 million production is out of the red.

The adaptation of Colleen Hoover’s Regretting You was at $44.6 million after 24 days last fall. This spring’s version of her book Reminders of Him made $2.2 million to bring its total to $45.3 million. Regretting You made $3.7 million in its fourth weekend and finished with $48.8 million. Reminders has been taking drops that might see it come up just shy of its predecessor’s numbers, but the $25 million production is already another winner for the Hoover brand with over $79 million worldwide. The number is getting bigger for the next title looking to challenge Dhurandhar: The Revenge for the top-grossing Bollywood film ever in North America. Another $1.82 million this weekend brings its total to $26 million. That’s more than at least three films in the top 10 are going to make in their entire domestic run.

One of those is Roadside’s release of A Great Awakening, but it is actually a rather solid opening for them. Released in 1,289 theaters (their fifth-biggest launch ever), Joshua Enck’s Benjamin Franklin tale opened to $2 million. If that estimate holds, it will be the 10th-best opening in the company’s history, their top being Robert Redford’s The Conspirator, which began with $3.5 million in 707 theaters. From there, it goes Judy ($2.91 million), Southside with You ($2.86 million), A Most Wanted Man ($2.68 million), Mr. Holmes ($2.43 million), Mud ($2.21 million), Run the Race ($2.16 million), Ben is Back ($2.12 million), and Love & Mercy ($2.12 million). Falling between $1.62-$2 million could drop its ranking to 12th, but it is certainly their best launch for a film in over 1,000 theaters.

Horror maintains its presence in the top 10 this week. Last week’s release of They Will Kill You dropped over 60% to $1.9 million. The $20 million production has grossed only $8.7 million to date and is likely headed for less than $13 million domestically. It is at $15.2 million globally. Its March doppleganger, Ready or Not 2: Here I Come, has also trailed off in just its third weekend, with $1.8 million. It is just over $20 million, and though it reportedly cost a little more than the original and will fail to match its domestic gross, it is nevertheless looking like a win for Searchlight Pictures with over $31 milion globally. That’s still not nearly as big as Scream 7, which, with another $915,000, has the franchise money leader now over $120 million. As we’ve been saying, the film indeed will not double its opening weekend. But when you make over $205 million globally on a $45 million budget, the film is a winner financially, if not artistically, based on word-of-mouth from fans and critics.

On the Vine: A Touch of Romance, a Touch of Horror

A movie that seemed tailor-made for either the Lifetime Network or Netflix crowds gets a chance in theaters when Universal releases You, Me & Tuscany with The Little Mermaid’s Halle Bailey and Bridgerton’s season 1 protagonist, Rege-Jean Page. Then, IFC tries to resurrect the mystique of the 1980s cult VHS phenomenon Faces of Death, but in movie form, featuring Barbie Ferreira, Dacre Montgomery, and Charli XCX.

Full List of Box Office Results: April 3-5, 2026

1. The Super Mario Galaxy Movie – $130.9 million ($190.5 million total)
2. Project Hail Mary – $30.6 million ($217.1 million total)
3. The Drama – $14.3 million ($14.3 million total)
4. Hoppers – $5.8 million ($149.6 million total)
5. Reminders of Him – $2.2 million ($45.3 million total)
6. A Great Awakening – $2.0 million ($2.0 million total)
7. They Will Kill You – $1.93 million ($8.7 million total)
8. Dhurandhar: The Revenge – $1.82 million ($26.0 million total)
9. Ready or Not 2: Here I Come – $1.8 million ($20.1 million total)
10. Scream 7 – $915,000 ($120.5 million total)

Erik Childress can be heard each week evaluating box office on Business First AM with Angela Miles and his Movie Madness Podcast. [box office figures via Box Office Mojo]

Thumbnail image by ©Universal Pictures

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The fifth and final season of The Boys premieres this week, and the first reviews have arrived online, with unanimous praise. Amazon Prime Video’s megahit superhero series, based on the comic of the same name, has been one of the most talked-about shows of the past decade. Season 5 is sure to be a big part of the zeitgeist as well, delivering a worthy conclusion with sharper and bloodier episodes than ever before.

Here’s what critics are saying about The Boys: Season 5:

Is it still must-see TV until the end?

The show remains a visceral, gleefully grotesque ride, elevated by standout performances, razor-sharp satire, and a dark, ominous humor.
— M.N. Miller, Geek Vibes Nation

The Boys Season 5 is exciting, crude, well-acted, and politically potent television that feels fresher than ever.
— James Preston Poole, But Why Tho? A Geek Community

As we approach the end of an era, The Boys proves that it is still the most vital, dangerous show on television.
— Tessa Smith, Mama’s Geeky

I’s both a relief and a pleasant surprise that The Boys goes out exactly how it arrived: as the best, most incisive, and radical superhero show on TV.
— Jeremy Mathai, Slashfilm

It reinforces why The Boys has been one of the most defining shows of its generation—and why its impact will continue long after the finale.
— Nagier Chambers, Big Gold Belt Media

The Boys, for all of its pointed commentary and at the end of its massive run, has finally run out of steam… That said, the series remains immensely watchable.
— Giovanni Lago, Next Best Picture

Does it continue to be better than other superhero shows and movies?

The Boys ends as one of the greatest superhero television shows of all time.
— James Preston Poole, But Why Tho? A Geek Community

This basic setup feels reminiscent of the ongoing season of Daredevil: Born Again, [but] rest assured that The Boys improves upon it in almost every conceivable way.
— Jeremy Mathai, Slashfilm

The series has slowly devolved into the very thing it has spent years kicking down.
— Giovanni Lago, Next Best Picture

How does it compare to past seasons?

This season surpasses the others… It’s beyond everything we’ve seen to this point.
— John Kirk, Original Cin

It’s the most savage and politically charged season yet.
— Michael Sowell, Nerdspin

Its understanding of tone is a much-needed improvement from Season 4, which often couldn’t read the room in the most inappropriate scenarios.
— Katie Doll, CBR

Will fans be satisfied by the finale?

Many shows stumble at the finish line with lackluster finales that drag or fail to tie up story arcs. The Boys takes a deliberate shot at those lackluster endings by being the total antithesis of them… a masterpiece of a finale that stays true to its brutal DNA.
— Michael Sowell, Nerdspin

It’s a payoff. Full-circle moments, callbacks, and long-running arcs all converge in ways that reward longtime viewers.
— Nagier Chambers, Big Gold Belt Media

This ending is wildly entertaining, sustaining its venomous revenge narrative with a generous dose of biting, gallows humor.
— M.N. Miller, Geek Vibes Nation

Not only does The Boys find a proper exit for this funhouse mirror riff on sociopathic “Supes” in capes and tights, but it also acts as the last and definitive word on superhero media as a whole.
— Jeremy Mathai, Slashfilm

The Boys Season 5 is expected to wrap things up in a satisfying manner for the series, which means a shocking one. The season does an excellent job in that department.
— James Preston Poole, But Why Tho? A Geek Community

Does the series go out with a bang?

In a bloody blaze of resonant (and prophetic) glory… the final season explodes like a powder keg.
— M.N. Miller, Geek Vibes Nation

It doesn’t just end; it detonates.
— Michael Sowell, Nerdspin

Far from the best The Boys has been, but this conclusion still has enough here to reward longtime viewers who have stuck with it from the beginning.
— Giovanni Lago, Next Best Picture

For the first time in years, The Boys brings some much-needed heart and soul to this grim conclusion.
— Jeremy Mathai, Slashfilm

The Boys Season 5 is nowhere near a powerful swan song for what was once a refreshing superhero takedown. Instead, it’s an agonized limp to the finish.
— Belen Edwards, Mashable

How is the writing this season?

Truly, there hasn’t been a season of The Boys this tightly written since the first.
— James Preston Poole, But Why Tho? A Geek Community

This season may be the sharpest the show has ever been from a writing standpoint.
— Nagier Chambers, Big Gold Belt Media

While the main storyline occasionally relies too much on contrivances, it soars every time it’s driven by an intricate web of interpersonal drama and conflicting motivations.
— Jeremy Mathai, Slashfilm

The writers continue to explore media weaponization, now bringing AI-generated fake news and videos into the fold… Urban and Starr remind you how sharp the writing is.
— M.N. Miller, Geek Vibes Nation

What takes shape here is so bizarre it almost feels laughable. But, as ridiculous as these plot points have gotten over the years, the show’s cast always sells it.
— Kaiya Shunyata, RogerEbert.com

The plot is sluggish at best.
— Jesse Schedeen, IGN Movies

Does the show feel more relevant than ever?

The final season of political division, cultural unrest, and escalating rhetoric has become eerily immediate.
— M.N. Miller, Geek Vibes Nation

What stands out even more is how naturally the show integrates pop culture references, real-world figures, and recognizable elements into its dialogue.
— Nagier Chambers, Big Gold Belt Media

A powerful metaphor for our times, Season 5 of The Boys is the final reckoning in this story.
— John Kirk, Original Cin

Thinking about how close some of these storylines are to events transpiring across the globe only adds to this show’s disturbing nature.
— Abe Friedtanzer, Awards Buzz

The series doubles down on its brashness, so much so that it feels as if the invisible veil between our television screens and the world we inhabit grows thinner with each episode.
— Kaiya Shunyata, RogerEbert.com

The problem is that the absurdity of the real world has largely outpaced the show, dulling the bite it once had.
— Giovanni Lago, Next Best Picture

Is it still funny?

The humor is biting and offers no moral comfort, which is part of what makes the show so effective.
— M.N. Miller, Geek Vibes Nation

The humor is darker than ever, but when it hits, it really hits.
— Tessa Smith, Mama’s Geeky

Humor in general tends to be one of Season 5’s stronger suits. The idea being that sometimes the best thing to do when confronted with looming fascism is to simply laugh in its face.
— Jesse Schedeen, IGN Movies

The satire this season is razor-sharp.
— Michael Sowell, Nerdspin

Season 5 is The Boys at its satirical best, mercilessly upending superhero conventions without losing sight of the deeply flawed and human characters at its core.
— Jeremy Mathai, Slashfilm

What ultimately holds The Boys back from fully landing the plane is the diminishing comedic impact of its final season…what once felt sharp now feels blunt, making the juvenile elements more eye-rolling than effective.
— Giovanni Lago, Next Best Picture

How’s the action?

In case there were any doubts, Season 5 doesn’t fail to deliver on the gore and violence front.
— Jesse Schedeen, IGN Movies

The brutality remains a defining element of The Boys, and Season 5 does not hold back.
— Nagier Chambers, Big Gold Belt Media

The handheld action is as engaging and chaotic as fans have grown accustomed to. On a technical level, the blend of visual and gruesome practical effects is unrivaled on the small screen.
— Jeremy Mathai, Slashfilm

Kripke and company can still generate strong reactions with their cartoonish violence.
— Giovanni Lago, Next Best Picture

The epic fight scenes and brutal kills have always been key to the appeal of The Boys, and they’re all best experienced without any foreknowledge.
— Abe Friedtanzer, Awards Buzz

Are the stakes higher?

This final season certainly has higher stakes, as there are numerous character deaths and many plot lines to wrap up as the final confrontation with Homelander draws near.
— Giovanni Lago, Next Best Picture

The writers dig deeper and find the real stakes by confronting the idea of things coming to an end…actions have actual consequences in the world of The Boys.
— Jeremy Mathai, Slashfilm

The Boys has never been afraid to take risks; with this final season, they up the ante, forcing their audience to confront the morality (and mortality) of these beloved characters.
— Kaiya Shunyata, RogerEbert.com

No one is safe. This is the culmination of years of carnage, and the stakes have never felt more terminal.
— Michael Sowell, Nerdspin

Unpredictability remains the driving force. No character feels safe, and the series leans into that tension fully.
— Nagier Chambers, Big Gold Belt Media

Pretty much any scene [Homelander] has with a living person is filled with tension, because the odds are pretty good that somebody will get brutally killed by the end of it. It’s a tension that almost feels overused by a certain point.
— Liz Shannon Miller, Consequence

Do any of the performances stand out this season?

Of the main cast, Alonso tends to be the one who shines.
— Jesse Schedeen, IGN Movies

This season is Karen Fukuhara’s time to shine, a coming-out party of sorts now that the once-mute Kimiko is able to speak and actually showcase the actor’s full range of talent.
— Jeremy Mathai, Slashfilm

The one who deserves special praise is Antony Starr as Homelander. Outstanding doesn’t cut it…Starr has given the definitive television performance for the 2020s.
— James Preston Poole, But Why Tho? A Geek Community

Antony Starr [delivers] a masterclass performance that cements Homelander as one of the greatest villains in television history.
— Michael Sowell, Nerdspin

Starr once again delivers a captivating performance…but this season, [his] is also the only performance that truly stands out.
— Giovanni Lago, Next Best Picture

How are the cameos?

The second half of the season is peppered with surprise cameos that are as hilarious as they are unexpected.
— Michael Sowell, Nerdspin

The guest stars are phenomenal, with a few Supernatural nods.
— M.N. Miller, Geek Vibes Nation

In the midst of the melancholy are also some hilarious cameos…[some of them] do feel like Supernatural fan service, but not in an entirely bad way.
— Katie Doll, CBR

Are there any major problems?

It suffers from some major pacing problems in the fifth and final season…the series feels as though it’s spinning its wheels for several episodes.
— Jesse Schedeen, IGN Movies

Some secondary characters remain stuck in the role of comedic relief, providing a few laughs but failing to achieve any meaningful character development across the finish line.
— Michael Sowell, Nerdspin

Where the series takes Homelander may be its biggest stretch yet.
— Giovanni Lago, Next Best Picture

Will it leave fans wishing it wasn’t over?

If anything, the numerous spinoffs, loosely tied to this fifth season, feel like a better avenue for exploring new ideas and stories in a universe that has grown limited within the boundaries this series established.
— Giovanni Lago, Next Best Picture

Even as it moves toward its conclusion, the season continues to connect to the larger universe…These threads don’t distract—they enhance. They give the sense that while this story is ending, the world is far from finished.
— Nagier Chambers, Big Gold Belt Media

The final stretch of episodes all but turn into a treatise of why The Boys needs to die, even as, somewhat contradictorily, certain events open up a backdoor pilot for continued adventures.
— Jeremy Mathai, Slashfilm

The Boys: Season 5 premieres on Prime Video on April 8, 2026.

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Back in 2023, 30 years after Hollywood first attempted to bring the beloved Super Mario Bros. video game to the big screen (and, most would say, failed), Nintendo partnered with Universal Pictures and Illumination to bring us the animated The Super Mario Bros. Movie. Though the film divided critics, audiences were wholly on board, leading to a Verified Hot Popcornmeter score of 95% and a whopping $1.36 billion global box office haul.

Fast forward to 2026, and the inevitable sequel, The Super Mario Galaxy Movie, has also mostly fallen flat with critics but inspired an outpouring of support from fans eager to jump back into the world of Mario and his plucky friends. The film debuted over the weekend to the biggest opening of 2026 ($130.9 million), and while the Popcornmeter hasn’t been quite as strong as its predecessor’s, it’s still holding steady as Verified Hot.

Here’s what the fans have been saying in the Verified Audience Reviews for The Super Mario Galaxy Movie.

These reviews have been edited for clarity.

If enjoying this movie is wrong, I don’t want to be right. Visually, it is stunning. It ain’t Shakespeare, and that’s good. I didn’t show up for soliloquies and lights breaking through yonder windows. I showed up to have a good time with my 13-year-old, which is exactly what happened. You can have a steak with a bourbon, and you can eat a hotdog with a crummy beer at a baseball game. Both are a good time, and this movie is the latter of those things. I’m not giving 5 stars because not all the jokes landed (even with my teenager, who loved the movie), and because there was a loose thread with King Wart that needed tying up, and they didn’t do that. Keep making them, and I’ll keep showing up to have a good time.
— Andrew P, 4.5 Stars

The nostalgia hits hard, leaving you smiling and laughing at almost every moment. And finally, we get a surprise character that was left out of the trailers, providing shocking and fun humor while also hinting at the amount of world-building these Mario movies can extend to in the future. Outside of the nostalgia factor, the story itself is still fun and exciting.
— Michael S, 5 Stars

So many incredible moments that called back to my favorite moments of playing Mario from when I was a kid, all the way to my adulthood. There’s been a lot of hate for this movie not being deep enough but walking into this second showing and seeing all the excited kids it reminded me this movie was made for them. If I was a kid and I saw this when I was little I would’ve thought it was the coolest thing I’ve ever seen.
— Jonah C, 5 Stars

I can’t even describe what my inner child was feeling while watching this movie. I’m 33 years old… I’ve been playing Mario games for as long as I can remember, and they’ve been part of my life since childhood. The Super Mario Galaxy Movie feels like a celebration of 40 years of Mario history. Every detail, every character, every reference, it’s all there, and it’s an absolute blast. Bowser Jr. and Princess Peach steal the show. Every action scene and every sequence feels like a dream come true for Nintendo fans, and it absolutely delivers. Pure magic!!
— Alejandro P, 5 Stars

From start to finish, this film is engaging, bursting with charm, colour, and that signature sense of cosmic wonder. As a long-time fan, I was especially happy to see Princess Peach given more time and story… She truly shines. Rosalina is another standout. Brie Larson brings a gentle warmth to the role, making her feel both magical and emotionally grounded. On the villain side, Bowser Jr. is pretty cool, but to the surprise of absolutely no one, Jack Black once again rocks as Bowser.
— Jason W, 4.5 Stars

(Photo by ©Universal Pictures)

Flying across the stars and tons of fun surprise cameos. I feel like I need to watch it again to catch all the Easter eggs. The music was beautifully done with tons of call-backs to previous games in the series. This film was the best way to celebrate Mario’s 40th anniversary.
— Nitz, 5 Stars

My three boys and I loved it. Being a ’90s kid, I yelled out in joy when I saw two certain characters in that movie. It was epic! I’d watch it again.
— Mr. D, 5 Stars

It was great, my kids really enjoyed it, and it had cute nods to the video games. Overall, it was a perfect kids movie, and I know my kids will make us watch it over and over again when it is available at home. It is not too long and not scary. The kids laughed a lot!
— Amanda W, 5 Stars

It left a real smile on my face. Could have used a bit more Rosalina.
— Miu, 4 Stars

Loved the animation, the stunning sets and scenery. It was fun, the music was amazing, and the greatest joy was hearing my daughter laugh throughout and say she didn’t want it to end! Well done, Illumination, once again!
— Jaclyn, 5 Stars

(Photo by ©Universal Pictures)

A great movie for the whole family. The beginning of the movie really held my interest with the introduction of Rosalina. My son loved how the different Mario games were incorporated into the film. There wasn’t a moment of boredom, and the 3D made it even more enjoyable.
— Kristen, 5 Stars

Family fun and some fun Easter eggs! (No holiday pun intended)
— Spagoshi, 5 Stars

I’m a big fan of Super Mario games and loved the first movie. While it was good, I felt that this story was missing something, like a new song from Bowser maybe. I liked meeting Bowser’s son, but I thought Bowser could have been funnier, and I did like all the visual cues and cinematography. Overall, I still really enjoyed the movie. It has some funny moments, awesome game play scenes, and very cute recognizable characters. I think kids & adults will enjoy the movie and become fans if they’re not already.
— JS, 5 Stars

Maybe not as good as the first, but it checks all the boxes for a great Mario Bros movie. Really enjoy how they elevate Peach and Luigi as strong characters instead of leaving it all to Mario.
— Michael C, 4.5 Stars

(Photo by ©Universal Pictures)

When a film is fun, it’s fun, and that’s what this is. I can’t deny how much I enjoy existing in the Nintendo world and seeing all of the Easter eggs, cameos and references. When you combine that with top of the line animation, it makes for a good time. From a critical standpoint, this narrative is a bit messy and all over the place, lacking focus… Nonetheless, the pacing was pretty steady and I was never bored. The greatest strength of this film are the characters. Growing up with the games, it’s very satisfying to finally see them developed and expanded upon in their own film.
— Ian W, 3.5 Stars

As a general audience member, the movie feels very rushed and races to get to the end. As a Mario fan… it’s called a “Galaxy” movie but only 10% of the source material was used. The Baby Bros. were unnecessary and felt more like an ad for the new Yoshi game. Bowser and Bowser Jr. carried this movie, in all honesty. I mean, it’s a fun movie, but it should have been called “The Super Mario Bros. Movie 2.”
— Galaxycap, 2 Stars

The Super Mario Galaxy Movie is currently in theaters.

Thumbnail image by ©Universal Pictures

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In 2026, stories by your favorite authors are coming to life on-screen! From psychological thrillers to slow-burn romances, a whole slew of bestselling novels are being adapted into films and series. The 2026 lineup promises some of the most highly anticipated book-to-screen adaptations yet. Read on to discover which stories you won’t want to miss.

Release Date: April 15, 2026 
Where to Watch: Apple TV+
Starring: Elle Fanning, Nicole Kidman, Michelle Pfeiffer, Nick Offerman

This adaptation brings Rufi Thorpe’s 2024 novel Margo’s Got Money Troubles to the screen as an eight-episode Apple TV+ series dropping on April 15, 2026. The show follows Margo, a recent college dropout and new mother who turns to OnlyFans to make ends meet, confronting the realities of adulthood, family expectations, and the messy, joyful struggle to find her place in the world. Starring Elle Fanning as Margo with Michelle Pfeiffer and Nick Offerman as her parents, fans are excited to see the beloved novel come to life.

Release Date: April 15, 2026 
Where to Watch: Apple TV+
Starring: Javier Bardem, Amy Adams, Patrick Wilson

Premiering June 5, Cape Fear is a 10-episode psychological thriller inspired by John D. MacDonald’s novel The Executioners and the iconic 1962 and 1991 films. Created by Nick Antosca, the series stars Javier Bardem, Amy Adams, and Patrick Wilson. With executive producers Martin Scorsese and Steven Spielberg attached, the show reimagines the classic story for new audiences.

Release Date: May 4, 2026 
Where to Watch: Netflix
Starring: Winston Sawyers, David McKenna, Thomas Connor

Premiering May 4 on Netflix, Lord of the Flies is a gripping new series inspired by the classic story by William Golding. With a talented ensemble cast, the series explores how isolation and power struggles shape a group of schoolboys who are left to fend for themselves on a deserted island. The season has already earned certified fresh status on our Tomatometer.

Release Date: July 15, 2026 
Where to Watch: Apple TV+
Starring: Anya Taylor-Joy, Drew Starkey, Aunjanue Ellis-Taylor, Annette Bening

Premiering July 15, Lucky is Apple TV+’s limited-series adaptation of Marissa Stapley’s bestselling novel. The series stars Anya Taylor-Joy as Lucky, a sharp, resourceful con artist whose life unravels after a multi-million-dollar heist goes wrong, leaving her hunted by both the FBI and a ruthless crime boss. The cast includes Drew Starkey, Aunjanue Ellis-Taylor, Annette Bening, Timothy Olyphant, Clifton Collins Jr., and William Fichtner.

Release Date: July 17, 2026 
Director: Christopher Nolan 
Starring: Matt Damon, Zendaya, Tom Holland, Anne Hathaway, Mia Goth, Charlize Theron, Jon Bernthal, Robert Pattinson

Academy Award winner Christopher Nolan follows up Oppenheimer with an adaptation of Homer’s The Odyssey, which tells the story of Odysseus (Matt Damon) in the aftermath of the Trojan War. The film’s massive star-studded ensemble includes Robert Pattinson, Zendaya, Tom Holland, Anne Hathaway, Mia Goth, Charlize Theron, and more.

Release Date: October 2, 2026
Director: Michael Showalter
Starring: Anne Hathaway, Dakota Johnson, Josh Hartnett

Another Colleen Hoover film adaptation is on the way, this time for her bestseller Verity. The film will center around struggling writer Lowen Ashleigh (Dakota Johnson), who is hired under mysterious circumstances to serve as the ghostwriter for celebrated author Verity Crawford (Anne Hathaway). The film is directed by Michael Showalter and also features actor Josh Hartnett.

Release Date: November 20, 2026
Director: Francis Lawrence
Starring: Joseph Zada, Ralph Fiennes, Elle Fanning, Kieran Culkin, Jesse Plemons, Mckenna Grace, Ben Wang

The follow-up to the 2023 Hunger Games prequel The Ballad of Songbirds and Snakes catches up with a now older Coriolanus Snow, this time played by Ralph Fiennes, as he fields a new crop of tributes that includes a young Haymitch Abernathy (Joseph Zada). The film is based on Suzanne Collins’ book of the same name, which was published in March of 2025.

Pride & Prejudice: Limited Series (2026)

Release Date: TBD on Netflix
Director: James Gray
Starring: Emma Corrin, Jack Lowden, Olivia Colman, Rufus Sewell

Jane Austen’s classic novel is coming to Netflix as a limited series, written by Dolly Alderton (Everything I Know About Love) and directed by Euros Lyn (Doctor Who, Black Mirror). Emma Corrin stars in the period romance as Elizabeth Bennett, a young woman who wants to marry for love but is pressured to enter a marriage of convenience, while Slow Horses star Jack Lowden stars as Mr. Darcy, the wealthy gentleman who falls for Elizabeth.

Release Date: TBD
Director: Georgia Oakley
Starring: Daisy Edgar-Jones

Details are still under wraps, but Focus Features has revealed that Daisy Edgar-Jones (Normal People) will star in a new adaptation of Jane Austen’s timeless classic Sense and Sensibility. The new film is following in the footsteps of versions like Ang Lee’s 1995 film and the acclaimed 2008 drama miniseries.

Kill Your Darlings (2026)
Release Date: TBD
Director: James Gray
Starring: Julia Roberts

Julia Roberts is set to lead the film adaptation of Kill Your Darlings, the highly anticipated new novel by author Peter Swanson. This murder mystery unfolds a marriage in reverse order, peeling back layers to reveal a dark and dangerous secret at the heart of the couple’s relationship. The source novel was published in June 2025.

(Photo by Matt Winkelmeyer/Getty Images)

The Love Hypothesis
Release Date: TBD
Director: Claire Scanlon
Starring: Lili Reinhart, Arty Froushan, Tom Bateman, Jaboukie Young-White, Nicholas Duvernay, Rachel Marsh

Remember when Twilight fan fiction turned into Fifty Shades of Grey? This is sort of like that, but for the Star Wars sequel trilogy, and with less BDSM. The source novel for this film started as Star Wars fan fiction that specifically shipped Rey and Kylo Ren, then turned into a novel about a college Biology student (Riverdale alum Lili Reinhart) who falls in love with her professor (Tom Bateman) when the two agree to pretend that they’re dating. Who knows, maybe we’ll get another trilogy out of this.

(Photo by ©Netflix/Courtesy Everett Collection)

My Life with the Walter Boys: Season 3
Release Date: TBD
Where to Watch: Netflix
Starring: Nikki Rodriguez, Sarah Rafferty, Marc Blucas, Noah LaLonde, Ashby Gentry

Based on Ali Novak’s 2014 novel of the same name, My Life With the Walter Boys revolves around teenager Jackie Howard, who loses her family in a car accident. Jackie leaves her New York City life behind and moves in with the Walter family, her new guardians. Caught up in a love triangle with brothers Alex and Cole, Jackie flees back to NYC at the end of the first season. Season 2 was released last Fall, so fans can expect the third season in the latter half of 2026.

Thumbnail image by Netflix

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