Category: Movies

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CinemaCon 2026 has come and gone, and we’re still reeling from all the big reveals and special surprises that came to us during all of the studio presentations. RT was on the ground in Las Vegas, and there’s been a lot to talk about. Check out all the latest news with everything we’ve learned, and be sure to follow our coverage on Instagram, TikTok, Facebook, and more!

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Robert Downey Jr. and Chris Evans Stun Crowd with Avengers: Doomsday Trailer

(Photo by Jesse Grant/Getty Images)

It has been a while — six years, to be precise — since we’ve seen all of Marvel’s mightiest heroes gathered in one film, so anticipation has been understandably high for Avengers: Doomsday, recent franchise doldrums notwithstanding. Thankfully, Marvel and Disney did not disappoint with their presentation on Thursday, bringing out directors Joe and Anthony Russo and stars Robert Downey Jr. and Chris Evans to debut the first full-length trailer for the fans.

The footage begins with a shot of Professor X inside the X-Mansion witnessing a flash of light outside, followed by Doctor Doom (Downey) landing outside the mansion as Downey, in an accented voice, speaks in voiceover. The trailer reveals shots of Gambit (Channing Tatum) fighting Shang-Chi (Simu Liu), Yelena Belova fighting Mystique shapeshifted into her own image, and Thor (Chris Hemsworth) fighting Doctor Doom, plus the Fantastic Four, the Thunderbolts (aka New Avengers), Namor (Tenoch Huerta), and, in the trailer’s biggest moment, Chris Evans’ Steve Rogers emerging to wield Thor’s hammer, Mjolnir.

The audience response was understandably electric, and it was probably the smartest way for Disney to end its presentation. Avengers: Doomsday is set to open in theaters on December 18.

Buzz and Woody Battle Tech in Toy Story 5 Clips

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Tom Hanks and Tim Allen took the stage to debut first-look footage at Pixar’s upcoming Toy Story 5, offering more context for the film. Disney provided two clips for the audience, the first of which sees young Bonnie being enamored with a tablet in the shape of a frog called Lilypad, voiced by Greta Lee. When Bonnie leaves the room, Jessie (Joan Cusack) confronts Lilypad about taking Bonnie away from her friends, to which Lillypad responds by sending friend requests to the other kids in Bonnie’s dance class. As Jessie attacks Lillypad out of frustration, Bonnie returns, the toys turn inanimate, and Bonnie delights at the new friends she now has through Lillypad.

The second clip shed light on another storyline in the film, as Hanks’ Woody returns — a little worse for wear after his time away from the gang — to help, and the old rivalry between him and Allen’s Buzz reignites as they squabble over who will lead the effort to save the toys.

Both Hanks and Allen joked about how old they felt when they recently looked back at footage of themselves working on the original Toy Story back in 1995, but most of the rest of us are just glad they’re still at it. Toy Story 5 opens in theaters on June 19.

The Mandalorian and Grogu Debuts First 17 Minutes of Footage

(Photo by David Becker/Getty Images)

Jon Favreau also made a big splash for the Star Wars fans, as he appeared on stage to present The Mandalorian and Grogu. It wasn’t just an update on the film or a mere hype session, however; Favreau shared the first 17 minutes of the film with the audience.

Favreau began by talking about how “Star Wars made me fall in love with movies,” explaining that he saw the movie for the first time with his father and that he hoped that same enthusiasm would translate for fans seeing this film for the first time. He then debuted the new trailer, after which he said he wished he could show more. And that’s when he shocked everyone by presenting the 17-minute opening of the film.

The scene begins with a secret meeting of Empire sympathizers that Pedro Pascal’s Din Djarin has infiltrated. As things get tense, he reveals himself and makes his escape, taking out an entire Empire base in the process. With Grogu by his side, Mando commandeers an AT-ST walker and takes on the much larger AT-AT walkers before flying back to regroup with with Ward, a New Republic leader played by Sigourney Weaver. Ward initially scolds Mando for killing his target but hands out his next assignment, namely to rescue a Hutt (voiced by Jeremy Allen White) from rival gangsters.

The explosive footage helped alleviate concerns for some who worried the film would feel like a mere extended episode of the Disney+ series, and there was plenty of Grogu sweetness to go around, too. Fans of the show and Star Wars on the big screen should all be excited for the film, which releases in theaters on May 22.

Other Updates

(Photo by Jesse Grant/Getty Images)

• Disney announced a new premium large format initiative that it calls Infinity Vision, meant to “signify to audiences which auditoriums offer the biggest, brightest, and most immersive cinematic experiences.”
• Dwayne Johnson and Catherine Laga’aia introduced an exclusive look at the upcoming live-action Moana, in theaters on July 10.
• Hailee Steinfeld and Rashida Jones were announced as the stars of an upcoming Disney animated film called Hexed, about a teenage girl who discovers witchy secrets about her family.
• Queen Latifah, Denis Leary, and Ray Romano came on stage to talk about the next chapter of the Ice Age franchise, Boiling Point, and debuted a sneak peek at the film’s opening sequence.
• New footage and trailers were presented for films Whalefall, The Dog Stars, and Wild Horse Nine.

Bruce Buffer Introduces Street Fighter Cast and New Trailer

(Photo by Gabe Ginsberg/Getty Images)

During Paramount’s presentation, legendary ring announcer Bruce Buffer to instruct the audience to “get your coins ready as we travel back to 1993.” Buffer then went on to introduce several members of the cast including David Dastmalchian (M. Bison), Callina Liang (Chun-Li), 50 Cent (Balrog), Roman Reigns (Akuma), Olivier Richters (Zangief), Andrew Schulz (Dan), Cody Rhodes (Guile), Noah Centineo (Ken), and Eric Andre (Don Sauvage).

50 Cent stated that the film has to be seen on the big screen, and Richters brought out an old TV to cue the new trailer. Street Fighter hits theaters on October 16.

Johnny Knoxville Debuts Trailer for Jackass: Best and Last

(Photo by David Becker/Getty Images)

Johnny Knoxville stunned fans earlier this year when he announced that a new Jackass movie would be coming to theaters this summer, and he was on hand at Paramount’s CinemaCon presentation to offer the first look at the film’s trailer. Knoxville explained that he knew this was going to be the last one, so they went “extra hard” on it to make the best Jackass ever. Accordingly, Knoxville revealed that the official title for the film would be Jackass: Best and Last.

The trailer showed archival footage of past stunts and cast members, including the late Ryan Dunn, as well as some of the new stunts in the film. They included things like penis shock collars, an escape room, and prostate exam given to Steve-O by a robot. Jackass: Best and Last opens in theaters on June 26.

Billie Eilish and James Cameron Reinvent the Concert Film

(Photo by Gabe Ginsberg/Getty Images)

Billie Eilish and James Cameron came on stage to talk about their collaboration on Eilish’s concert film Billie Eilish: Hit Me Hard and Soft. They touted the film as the best way to see a concert, while Cameron went into detail on the new tech employed to make the film a reality. Specifically, he called out a camera the size of a pack of ciagarettes that was used to offer the closest perspective possible, making the audience feel like we’re on the stage with Eilish. Afterwards, the pair debuted an extended look at the film, as audience members were provided with 3D glasses for the experience.

Scary Movie Prepares to Offend Everybody

(Photo by Greg Doherty/Getty Images)

Shawn and Marlon Wayans and Anna Faris took to the stage to hype up their upcoming return to the Scary Movie franchise, pushing back against the idea that R-rated comedies don’t work: “F— that!” Marlon Wayans then stated, “We are equal opportunity offenders. Nobody is safe,” before unfurling a comically long scroll to indicate the list of people they’ll likely need to apologize to, including “white people, Black people, off-white people, Mexicans, Mexican’ts,” and more.

The trio then debuted a new trailer for the film, which of course included a slew of timely pop culture references to things like Get Out, Weapons, Sinners, and The Substance. Scary Movie is set to open in theaters on June 5.

Other Updates

(Photo by Gabe Ginsberg/Getty Images)

• It was announced that a new Top Gun is movie is currently in development, though we didn’t get any further details.
• Teyana Taylor is making her feature directorial debut with Get Lite, following in the footsteps of classic Paramount dance movies like Saturday Night Fever, Footloose, and Save the Last Dance.
• Johnny Depp presented a first look at Ti West’s upcoming horror-tinged Ebenezer: A Christmas Carol.
• We got new looks at Paw Patrol: The Dino Movie and Angry Birds 3.
• The David Corenswet sports biopic Mr. Irrelevant: The John Tuggle Story revealed its full title and first-look footage.
• The Brad Pitt-and-dog survival adventure
• Director Gina Prince-Bythewood and stars Chiwetel Ejiofor, Damson Idris, Amandla Stenberg, and Thuso Mbedu previewed the upcoming fantasy adaptation Children of Blood and Bone.

CinemaCon 2026 runs from Sunday, April 12 to Thursday, April 16, with studio presentations taking place on Monday through Thursday. Here’s what the schedule currently looks like:

Monday, April 13: Angel, Sony Pictures Classics, STUDIOCANAL; Sony Pictures Entertainment
Tuesday, April 14: Neon; Warner Bros.
Wednesday, April 15: Universal Pictures and Focus Features; Amazon MGM Studios
Thursday, April 16: Paramount Pictures; Walt Disney Studios

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Last week, horror IP and a rom-com could not move audiences away from the cartoon plumbers and the amateur astronaut. So this week a mummy, action star Bob Odenkirk, and Theo Von(?) gave it a shot. No dice. People are still locked into the two biggest films of the year, and we have not had a pair of films do so well this early in the year since 2016 when Deadpool, Zootopia, and Batman v Superman had already posted over $300 million each and Disney’s live-action The Jungle Book was just getting started.

King of the Crop: The Super Mario Galaxy Movie Leads for Third Week in a Row

Only Brendan Fraser’s mummy could have defeated Mario this weekend, but that won’t be out until 2028. In the meantime, The Super Mario Galaxy Movie led the way for a third straight week, the first film to do that since Avatar: Fire & Ash. Mario brought in another $35 million of family business to bring its 19-day total to $355.2 million. That ranks 26th all time, but how does it line up with another sequel to a mega-blockbuster? Avengers: Age of Ultron had a $38.8 million third weekend with $367.4 million in the bank. Galaxy also has symmetry with another Marvel film, Captain America: Civil War, which was just displaced to 27th all time with $353.1 million after 19 days and a $32.9 million third weekend. The 48.6% dip for Mario (compared to the 35% third weekend dip for the original) has lowered its domestic estimate from $440-460 million last week to perhaps $420-430 million. But every dollar is profit at this point, and worldwide the Galaxy Movie has reached $747 million. Is a billion still in the cards for it, though?

Tales of the top 10: Project Hail Mary Holds Steady, Lee Cronin’s The Mummy Opens in Third

Phil Lord and Christopher Miller’s Project Hail Mary is just cruising towards its next milestone. Already reaching half a billion across the globe last week, it now has over $285 million of that on the domestic side. Forget Dune: Part Two, as it has already passed that. The film it is most-closely trending is (well, look at that) Disney’s 2016 live-action version of The Jungle Book. Like Hail Mary’s $24.1 million fourth weekend, that film had $24.4 million. The weekend after, Jungle made $17.1 million, while Hail Mary made $20.4 million in its fifth. The latter would still need a little boost to catch Jungle’s overall numbers, but the pattern suggests a run towards the $330-340 million region. That means $600+ million worldwide is definitely happening. (It is currently over $573 million.) It is also just the 12th film ever to gross over $20 million in its fifth weekend of wide release, plus this could rank as the highest-grossing “original” film since the first Zootopia in 2016. How about that?

Joining the likes of John Carpenter and M. Night Shyamalan as horror auteurs getting their name ahead of the title (or just a way to not confuse people with the Brendan Fraser films), Lee Cronin’s The Mummy debuted to $13.5 million, the fourth-best horror debut of the year after Scream 7 ($63.6 million), Send Help ($19.1 million) and Iron Lung ($17.8 million), while just ahead of 28 Years Later: The Bone Temple ($12.5 million). It would have been the ninth-best debut in 2025, a banner year for original horror with Sinners and Weapons. But Cronin’s Mummy barely bested Him. Cronin’s Evil Dead Rise opened to $24.5 million on roughly the same weekend on 2023 and finished with over $67 million. Critics gave that film a positive 85% while Mummy has fallen to 45%. The $22 million production has already grossed $34 million globally.

This weekend, Kristoffer Borgli’s The Drama became the eighth-highest grossing film in A24’s history. Another $4.8 million in weekend three puts it at $39.6 million. In 2023, Ben Affleck’s Air made $5.4 million in its third weekend and stood with over $37 million. The Drama is right in that pace and is still targeting a $50-55 million finish, which would make it the third R-rated film of the year to clear that number. Last year there were 12, including five over $100 million.

Last week’s exotic locale rom-com, You, Me & Tuscany, fell to $3.8 million this weekend to bring its total to $14.3 million. The numbers right now are behind those of Monte Carlo, the 2011 Selena Gomez girls trip film which had $16.1 million after a $3.8 million second weekend. It finished its run at $23.1 million. Tuscany’s numbers unfortunately share a remarkable consistency with films involving Black romances. Apart from star-driven films like Hitch and Boomerang and ensemble pieces like the Think Like a Man and The Best Man films, here is a list of said films over the years:

How Stella Got Her Groove Back ($37.6 million), Poetic Justice ($27.5 million), Love & Basketball ($27.4 million), Brown Sugar ($27.3 million), Two Can Play That Game ($22.2 million), Love Don’t Co$t a Thing ($21.9 million), Just Wright ($21.5 million), Jason’s Lyric ($20.8 million), The Photograph ($20.5 million), Deliver Us From Eva ($17.5 million), Love Jones ($12.4 million), Something New ($11.4 million)

Tuscany may struggle to reach $20 million. One film not on the list worth finding is Raine Allen-Miller’s Rye Lane with David Jonsson and Vivian Oparah, which debuted at Sundance in 2023 but was only released on Hulu and never given a chance to find its audience in theaters.

Here is some positive news for theatrical distribution, though. Magnolia Pictures, the longstanding indie staple that has released films such as Melancholia, Bong Joon-Ho’s The Host, and Let the Right One In, among others, just had its biggest opening ever. Yes, it is only their second wide release and their first to ever open in over 2,000 theaters, but Ben Wheatley’s action film Normal, with Bob Odenkirk, cracked the top 10 with $2.65 million. Their previous leaders included Woman Thou Art Loosed ($2.5 million) in 2004 and Thelma with June Squibb ($2.3 million) in 2024. If the estimates hold, Normal is already their 17th-highest grossing film ever. As long as it doubles its opening weekend, it will be in the top five. Congrats, Magnolia.

Disney/Pixar’s Hoppers should be close to victory for them as it continues to chip away at its costs. An additional $2.9 million this weekend brings the film over $161 million domestic. It has also crossed $206 million on the international side, which is among the lowest global hauls for one of their productions. Only Lightyear, Toy Story, A Bug’s Life, and The Good Dinosaur grossed less thus far. Inside Out 2 has been the only Pixar release to cross half a billion globally ($1.69 billion actually) since the pandemic, though Elemental got close with $496 million.

Rounding out the top 10 this week is Busboys, a comedy with David Spade and podcaster Theo Von, of which Blu-ray.com’s Brian Orndorf said, “If there’s a worse film… in 2026, I’ll be shocked.” The Mind Blowing Films release grossed an estimated $1.65 million in 800 theaters. Hindi horror comedy Bhooth Bangla managed $950,000 in 500 theaters. Finally, another viewing of the BTS World Tour “Arirang” in Japan made another $1.8 million Saturday night after grossing $2.44 million last Saturday as well.

Beyond the Top 10: Mother Mary Opens Decently in Limited Release

David Lowery’s new film with Anne Hathaway, Mother Mary, opened to $168,000 in just five theaters in New York and Los Angeles. A24 currently owns the three best per-theater averages of the year for releases in two theaters or more, including The Moment ($106,985), Pillion ($60,442), and now Mother Mary ($33,613)

Neon expanded Steven Soderbergh’s The Christophers into 364 theaters, and it grossed $596,000 for a total of $702,000. Neon’s Exit 8 did $669,000 for respective totals of $3.1 million and $2.8 million. Focus Features’ release of the documentary about the creator of Saturday Night Live, Lorne, grossed just $270,000 in 414 theaters for only a $652 PTA.

Falling out of the top 10 this week, Roadside’s A Great Awakening added $823,667, bringing its total to $6.6 million. The film now ranks 18th all time on the studio’s theatrical releases, soon to be passing Winter’s Bone with Jennifer Lawrence and The Courier released in March 2021. IFC’s Faces of Death fell 81.8% to $300,000 to bring its total to $2.44 million. Finally, Universal’s Colleen Hoover adaptation, Reminders of Him, made $450,000 to  bring its total to $48.2 million.

On the Vine: Michael Set to Thrill Audiences

Next week, Mario and Ryan are going to give way to Michael. Antoine Fuqua’s delayed-by-third-act-reshoots biopic of the one-time King of Pop is expected to get off to a big start for Lionsgate. IFC is releasing Jorma Taccone’s remake of Tommy Wirkola’s The Trip, Over Your Dead Body, with Jason Segel and Samara Weaving as the spouses planning to kill each other.

Full List of Box Office Results: April 17-19, 2026

1. The Super Mario Galaxy Movie – $35.0 million ($355.2 million total)
2. Project Hail Mary – $20.4 million ($285.0 million total)
3. Lee Cronin’s The Mummy – $13.5 million ($13.5 million total)
4. The Drama – $4.8 million ($39.6 million total)
5. You, Me & Tuscany – $3.8 million ($14.3 million total)
6. Hoppers – $2.9 million ($161.1 million total)
7. Normal – $2.6 million ($2.6 million total)
8. BTS World Tour ‘Arirang’ in Goyang: Live Viewing – $1.8 million ($4.2 million total)
9. Busboys – $1.6 million ($1.6 million total)
10. Bhooth Bangla – $950,000 ($050,000 total)

Erik Childress can be heard each week evaluating box office on Business First AM with Angela Miles and his Movie Madness Podcast. [box office figures via Box Office Mojo]

Thumbnail image by ©Universal Pictures

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“When I was a kid and I would go to the movie theater… I remember just feeling like I went on a ride… I haven’t felt that in a long time. And when they locked me in a room and let me read the script for The Mandalorian and Grogu, I felt that. And then being on set, what I saw was the kind of thing that made my mouth drop when I was a kid.”

That was Pedro Pascal’s response when Fandango correspondent Perri Nemiroff asked him why he believed Star Wars: The Mandalorian and Grogu would be regarded as an iconic cinematic adventure. “It was a feeling of true adventure with characters that are grounded in real relationships and a visual experience that comes from Jon [Favreau’s] imagination, where I feel like he just gets to go all out on this one,” Pascal continued.

The Star Wars franchise has been absent from movie theaters for six years since the 2019 release of Star Wars: The Rise of Skywalker, and it’s Pascal who takes up the mantle this May. After three seasons on Disney+’s Tha Mandalorian, Pascal returns to play Din Djarin, the bounty hunter who reluctantly becomes the guardian of a force-sensitive “Baby Yoda” named Grogu, who becomes his sidekick.

(Photo by Nicola Goode/Lucasfilm)

The film picks up after the downfall of the Empire as the New Republic rises up to reestablish order, and Din is tasked with hunting down Imperial sympathizers. His handler, a New Republic colonel named Ward (Sigourney Weaver), sends him — and Grogu — on a mission to rescue Rotta the Hutt (voiced by Jeremy Allen White), son of Jabba, in exchange for information on a new target.

Pedro Pascal, Sigourney Weaver, and director Jon Favreau all sat down for a Fandango Big Ticket interview to chat about the film ahead of its release, offering insight into their characters and what the film means to them. Pascal reflected on what he felt watching movies as a child and how being a part of this film has provided him the same feeling, while Weaver talked about why joining the Star Wars franchise is uniquely special. Favreau not only brought us up to speed on what Mando and Grogu have been up to since the series ended, but explained why casting Jeremy Allen White as Rotta the Hutt was so important and how filming in IMAX changed everything.

Check out the full interview above, and get your tickets to Star Wars: The Mandalorian and Grogu on Fandango.

Star Wars: The Mandalorian and Grogu opens in theaters on May 22, 2026.

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